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Permanent Exhibition Hall A, Palace Museum, Myeong Commonwealth

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The Imperial Commonwealth Crown
The Imperial Commonwealth Crown is the state crown of the Emperor of the Myeong Commonwealth. It takes the shape of the mianguan 冕冠 (면관 Myeongwan) worn by the Ming emperors. It is the crown worn by the Myeong monarch on the occasion of coronation and Offerings to Heaven, and is the same crown that adorns the Coat of Arms of the Myeong Commonwealth. Across the radiant majesty of the throne, where the Mandate of Heaven meets suzerainty over All-Under-Heaven, the mianguan worn by the Emperor rises as the supreme symbol of sacred authority and indomitable dignity. Adorned with its stately flat board and twelve cascading strings of luminous jade beads, this exalted crown embodied the ritual perfection, unyielding vision, and cosmic harmony of the Commonwealth. In its radiant splendour and profound symbolism, the mianguan stands as an eternal beacon of the glory of the Celestial Realm.
The Dragon Crown of the Emperor
The Dragon Crown of the Emperor 雙龍戲珠善翼冠 (쌍룡희주선익관 Ssangryong Huiju Seonikgwan) stands as the crown most commonly worn by His Majesty the Emperor on solemn state occasions, such as the Opening of the Commonwealth Assembly and the Speech from the Throne. Adorned with twin dragons of gleaming gold and jade, their sinuous bodies coiling fiercely around a blazing luminous pearl while majestic wings soar upward in graceful defiance, this exalted crown embodied the radiant ritual splendour of the Commonwealth, known also as the Realm of Humaneness and Righteousness, Bulwark of Human Civilisation. The East Asian dragon 龍 (용 Yong), in stark contrast to its evil Western counterpart, is a benevolent creature that soars through nine heavens with five-clawed majesty while commanding wind, rain, and the forces of nature, and is a manifestation of the Son of Heaven’s auspicious virtue as well as the life-giving cosmic order that nourishes All-Under-Heaven. 

The Phoenix Coronet of the Empress Consort
The Phoenix Coronet 鳳冠 (봉관 Bonggwan) of the Empress Consort of the Myeong Commonwealth is ornamented with majestic phoenixes of gleaming gold and vibrant jewels, where the phoenix symbolises the Empress Consort in harmonious and virtuous complement to the Emperor’s dragon, their wings spread wide in graceful flight amid shimmering clouds of lustrous pearls and exquisite floral motifs. 

The Imperial Regalia of the Myeong Commonwealth
The Imperial Regalia of the Myeong Commonwealth consist of three principal treasures: the Dragon Seal of the Emperor, the Imperial Chalice for Heavenly Offerings, and the Sword of Emperor Fuxi 伏羲 (복희 Bokhui). These hallowed objects symbolise the three cardinal virtues of 智 (지 Ji), 仁 (인 In), and 勇 (용 Yong) proclaimed by Sage Confucius 孔子 (공자 Gongja) in the Analects 論語 (논어 Non-eo) 9.29: 'The wise are free from perplexities; the benevolent are free from anxiety; the courageous are free from fear.' The Dragon Seal is employed for the official sealing of Acts passed by the Commonwealth Assembly, thereby granting them imperial assent and the full force of law. The Imperial Chalice is used by the Emperor during the seasonal offerings to the Lord on High, in which he acts as the representative of the sons and daughters of God assembled in the Myeong Commonwealth. The Sword of Emperor Fuxi is employed in solemn ceremonies for conferring peerages and the highest honours of the realm. Together they embody the principles of wise governance, benevolent rule, and courageous leadership.
 

Myeong Porcelain During the Seongchi Reign (2023-)
The Myeong Commonwealth, continuing the rich artistic heritage of its predecessor the Ming Empire, aspires to establish itself as a notable centre of porcelain excellence. Building upon the renowned traditions of imperial kilns, it seeks to uphold and advance the highest standards of aesthetic refinement and technical mastery in an age when beauty is often overshadowed by prevailing tastes of vulgarity and mediocrity. The Palace Museum is particularly notable for two experimental porcelain artefacts that exemplify this ambition: a refined blue vase adorned with exquisite floral patterns, and an elegant white plate featuring red dragons. Both works bear the distinctive ‘Seongchi Mark’, an emerging hallmark of superior quality and artistic innovation in micronational ceramic achievement.

Portraits of His Majesty The Seongchi Emperor (r. 2023-)