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THE CIVILISING MISSION

문명화 사명




CUSTODIAN OF HUMAN CIVILISATION

Human civilisation teeters on the brink of oblivion, engulfed by chaos and decay on a global scale. An era of lawlessness, unchecked materialism, pervasive deceit, eroding values, crumbling education, suffocating political correctness, ugly art and architecture, environmental ruin, and an obsession with greed, violence, self-indulgence, and moral decay has taken hold. The fabric of society frays as hierarchy is scorned, merit is ridiculed, hard work is neglected, families are forsaken, elders are dishonored, and discord festers unchecked, sealing the fate of humanity's downfall.

From the ashes, the Myeong Commonwealth emerges as the last bastion of a once noble Confucian civilisation, ordained to safeguard the legacy of millennia of wisdom and culture. In a world starved of virtue and harmony, the Commonwealth stands as a beacon of hope, advocating for the revival of moral values, the preservation of tradition, and nurturing a righteous society.

With solemn resolve, the Myeong Commonwealth vows to restore order, revive true artistry, uphold integrity, rekindle faith in the divine, elevate education, defy oppressive ideologies, champion human dignity, fortify families, and exact justice upon betrayers of trust.

Through sacred ceremonies, ancient rites, and celestial melodies, the Myeong Commonwealth seeks to cultivate a society of noble character, where reverence for the Divine is paramount, the Way of the Sages is taken seriously, moral absolutes are upheld, and the culture of death is vanquished. In this new dawn, cancel culture is banished, rights and duties are realigned, and the path to sagehood is illuminated amidst the encroaching darkness of despair.


THE FOUNDING PHILOSOPHY OF 
THE MYEONG COMMONWEALTH


The crucial act of christening this emerging confederation as 'Myeong' was founded upon the Commonwealth's civilising mission. In East Asian languages, the character 'Myeong' (명; Hanja: 明; Ming/Mei/Minh) embodies the essence of light, brilliance, and radiance; a symbol of the very expulsion of darkness and the embracing of illumination of human conscience. It is by the guiding principles of the Sages that we acknowledge the supremacy of the Divine Logos as an objective truth over the whims of our subjective feelings.

The Myeong Commonwealth is a beacon of tomorrow that beckons peoples of diverse origins and continents to its fold. With all the trappings befitting such a stature—a constitution, a legal system, a functional government, the capacity for diplomatic relations, a flag, an anthem, a coat of arms, and more.
At the core of Myeong lies the pursuit of humaneness and harmony on Earth, a noble endeavor to safeguard the precious jewel of human civilisation from the ravages of cultural and physical strife. Uniquely, the Myeong Commonwealth is distinguished by its philosophical commitment to the service of all humanity.
The Myeong Commonwealth aims first and foremost to cultivate morality and order in human relationships; to shield the civilised from the encroachments of barbarism; and to establish a repository of ethical wisdom and public knowledge that is freely accessible to all, particularly to those in barbaric or formerly civilised regions.

Barbaric states are those that systemically act godlessly, inhumanely, unjustly, ritually improperly, unwisely, and/or trustlessly. Civilised states should come together in a commonwealth that acts as a shield against barbarism and uphold the principles that characterise a civilised society. Any civilised state would show humility to other civilised states. Justifiable loyalty to a civilised state and the confederation of civilised states should include prioritising their interests over those of barbaric entities. 

Conversely, barbaric states are those that primarily mistreat their own people in hegemonic ways.

Step forth into the Myeong Commonwealth, where the pursuit of sageliness reigns supreme.

THE FOUR CIVILISING INSTRUMENTS


Classic Poetry 
In the writings of old poets, one finds the ability to nurture virtues of meekness, tenderness, truthfulness, and integrity, all the while dispelling folly.

Classic History
In the annals of ancient history, there lies the capacity to foster a comprehensive grasp of the world and wisdom of bygone eras, purging deceit in the process. 

Classic Rituals
Through the observance of traditional ceremonies, one can develop qualities of politeness, humility, reverence, and decorum, casting aside unnecessary distractions. 

Classic Music
In the harmonies of classical melodies, there exists the potential to cultivate open-mindedness, magnanimity, simplicity, and benevolence, while banishing excess and opulence.
Daemyeong Empire (1368-1662)
The First Realm
Daehan Empire (1897-1910)
The Second Realm
 
Myeong Commonwealth (2023-)
The Third Realm
 
Throughout the annals of time, the Suzerein has governed All-Under-Heaven, and the civilised, dwelling within their realm, have upheld peace over the uncivilised, whilst the uncivilised, residing beyond the frontiers, have ministered to the civilised. It is always unacceptable for the uncivilised to dominate the civilised and govern All-Under-Heaven.

The era of Daemyeong (1368-1662), nestled between two periods of barbarous conquest, was not an age of darkness, as alleged by its critics. Conceived by the Hongmu Emperor (r. 1368-1398),  Daemyeong—the Commonwealth of Great Illumination—triumphantly dismantled the oppressive regime of Dai Ön ulus (1279-1368) by ousting uncivilised colonialists from Hwaha, shattering the brutal grip of the once-mighty Mongol Empire across the Eurasian continent.

In the grand tapestry of the Celestial Realm, the Daemyeong Empire ushered forth an era of Pax Myeongea, upholding its timeless vow to refrain from encroaching upon fifteen neighbouring realms; embracing commerce with distant dominions through the tributary system, within which the Empire graciously exchanged imperial treasures as tokens of goodwill. The Daemyeong Emperor, designated as the Son of Heaven and entrusted with the Mandate of Heaven, presided over a Confucian commonwealth, within which a civilisation of humaneness and justice flourished alongside the pursuit of poetry, learning, etiquette, rituals, and sacred music.

Under the auspices of the Yeongnak Emperor (r. 1404-1424), Admiral Jeong Hwa (1371-1433) embarked on seven voyages to the ‘West Oceans,’ reaching as far as the Arabian Peninsula and East Africa; unlike the naval ventures of European powers, Daemyeong’s maritime expeditions were dedicated to nurturing amicable ties and trade, eschewing colonial domination and military subjugation.

Daemyeong was a time of significant cultural advancement. The global community marveled at the blue-and-white porcelain crafted in imperial kilns, exalting the word ‘Myeong’ as a symbol of exquisite ceramics. This period saw a surge in literacy among both sexes, nurturing a diverse literary landscape encompassing science, technology, and the arts. Esteemed literary works like The Romance of the Three KingdomsJourney to the WestWater Margin, and The Plum in the Golden Vase highlighted the era’s commitment to literary and artistic freedom. Evidence of tolerance emerged through the eventual formal acknowledgment of the legitimacy of Yangmyeonghak, an intellectual movement that underscored individual conscience and the universal call to sagehood, despite the prevailing state-endorsed Jujahak ideology.  Daemyeong witnessed significant scientific advancements in various fields, with esteemed figures like Supreme Patriarch Sage Paul Siu (1562-1663) contributing to the progress of agricultural, astronomical, and technological knowledge. Advanced irrigation techniques, accurate calendars, and the publication of the Yeongnak Encyclopaedia,  greatly enhanced East Asian wisdom.

In the ninth year of the reign of the Sungjeong Emperor (1627-1644) of Daemyeong, the chieftain of the barbaric Manjus usurped the title of ‘emperor,’ and invaded the East Realm twice in less than ten years,  insulting King Injo (r. 1623-1649) of Joseon at Namhansan,  and in the aftermath, so savagely murdered the Yeonglyeok Emperor (r. 1647-1662) in 1662, terminating Daemyeong altogether. As the saying goes, after the downfall of the Realm of Great Illumination, Hwaha was no more. 

Recall that, verily, the Manju miscreants not only seized the very heart of civilisation but also decreed degrading mandates to shear the foreheads of men and don repulsive pigtails at the nape of their necks, along with the nomadic Manju attire throughout their newfound colony. This led to the retrogression of the civilised into the uncivilised, precipitated by prolonged years of incessant conflict, recurrent ethnic cleansings,  the rampant persecution of the literati for ‘speech crimes,’  stifling the nascent roots of capitalism and the enlightenment of the common folk under the liberating teachings of Sage Wang Yangmyeong (1472-1529) and his disciples most notably, enduring no less than two centuries of arrogant supremacy, and the enforced imposition of savage edicts.  ‘Following the barbarians’ conquest of Hwaha,’ lamented King Jeongjo (r. 1776-1800) of Joseon, ‘the foul smell of blood has contaminated the seas, and the morals of attire and etiquette of Hwaha had evaporated in a territory of beasts.’
DAEMYEONG AND DAEHAN CULTURES
The Daemyeong Empire (대명국) (1368–1662) had a significant influence on the culture of its closest ally and most faithful vassal state, the Daemyeong Kingdom of Joseon (1392-1897). 


The Daemyeong was known for its political stability, economic prosperity, and cultural achievements. The close proximity between the two realms and the historical and cultural connections facilitated the transmission of ideas, practices, and artistic styles between the two nations.
One of the major areas of influence was in the propagation of the doctrine of the Sages. The Daemyeong Empire emphasised Confucian principles and promoted Confucianism as the official religion. This profoundly impacted Joseon Korea, which embraced Confucianism as the dominant belief system. Joseon scholars and officials studied in Daemyeong, bringing back Confucian teachings and implementing them in the Joseon government, education system, and social structure. The emphasis on filial piety and moral behaviour influenced Joseon society and its values.
Daemyeong also influenced the arts and literature of Joseon Korea and the Daehan Empire. Joseon artists introduced and adopted Daemyeong painting styles, techniques, and themes. Daemyeong-inspired landscape paintings, figure paintings, and calligraphy became popular in Joseon art circles. Myeong literary works, such as classics and historical texts, were translated into Hangul, contributing to the development of Joseon literature.
The Joseon Kingdom adopted the Daemyeong Empire's advancements in technology, such as printing techniques and agricultural practices. The exchange of goods and ideas through trade and diplomatic relations between the two realms also shaped Joseon material culture.


A SPECIAL RELATIONSHIP

Yeongnak the Great 
영락제 (r. 1402-1424)

Sejong the Great 

세종대제 (r. 1418-1450)
The friendship between Emperor Yeongnak the Great of the Daemyeong Empire and King Sejong the Great (posthunously honoured by the Myeong Commonwealth as 'Emperor Sejong the Great') of the Daemyeong Kingdom of Joseon, whose reigns overlapped for six years, was a shining example of significant diplomatic and cultural exchange between the two neighbouring realms during the 15th century.

The Yeongnak Emperor, the third monarch of Daemyeong, whose reign spanned from 1402 to 1424, was known for his ambitious architectural projects, compilation of the 11,095-volumed Yeongnak Encyclopedia which covered ancient wisdom on everything from morals to technology, dispatching of six massive peaceful naval expeditions to South Asia and East Africa, and extensive military campaigns against the remnants of the Mongol Empire. He sought to establish a strong relationship with Joseon, recognising its strategic importance and cultural contributions. King Sejong, the fourth ruler of Joseon, sat on the Throne from 1418 to 1450. He is renowned for his achievements in governance, science, and culture, particularly the creation of the Joseon script, Hangul.
The friendship between the two monarchs was characterised by mutual respect and admiration. They exchanged diplomatic envoys. Yeongnak and Sejong regularly shared their thoughts and literary works on topics ranging from history and philosophy to science and technology. This exchange of ideas and knowledge helped foster cultural and intellectual growth in both countries. In September 1424, when Yeongnak the Great died, Sejong the Great remained in mourning dress for 27 days, despite the rule set by the Hongmu Emperor (홍무제) (r. 1368-1398), founder of the Daemyeong Empire and father of Yeongnak, that subjects should remain in mourning dress no more than three days after an emperor's death.
 
During the years 1592 to 1598, the 'Imjin Wars' marked two significant Japanese invasions of Joseon Korea. Initiated by Toyotomi Hideyoshi, the renowned Japanese military leader, these campaigns aimed to realize his longstanding ambition of advancing into China via Korea. Despite an auspicious beginning with the capture of key cities like Pyongyang and Seoul, the first invasion encountered formidable resistance from a coalition comprising the Joseon navy under Admiral Yi Sun-sin, a substantial Myeong land army, and local insurgents. This collective effort thwarted the Japanese advance, leading to a stalemate in 1593. Following fruitless peace negotiations, Hideyoshi launched a second, less successful invasion in 1597 before his demise the following year prompted the Japanese forces to retreat from the Peninsula. Reverberating as one of the largest military endeavors in pre-20th century East Asia, the conflict left a trail of devastation and irreparably strained relations between Japan and Korea.

The Manlyeok Emperor of Daemyeong played a crucial role in supporting Joseon against the Japanese invasions led by Toyotomi Hideyoshi. The Emperor dispatched a large land army to aid the Koreans in repelling the Japanese forces. The Myeong forces fought alongside their Joseon allies, and contributed significantly to the eventual stalling of the first Japanese invasion in 1593.

The Daemyeong Kingdom of Joseon expressed its gratitude to the Manlyeok Emperor (r. 1572-1620) for his support during the Imjin Wars. The government and people of Joseon acknowledged the crucial role Daemyeong troops played in helping defend their country against the Japanese aggression. The assistance the Manlyeok Emperor and the Daemyeong army provided was instrumental in turning the tide of the war and preventing further Japanese advances into Korea.

The Manlyeok Emperor's support and the Daeyeong army's contributions in the Imjin Wars were deeply appreciated by the Joseon leadership and population, and remembered with gratitude for Daemyeong's crucial role in defending its ally faithfully during this tumultuous period in East Asian history.


A LIFESTYLE OF RITUAL PROPRIETY

In a world of moral collapse and the return of barbarianism everywhere, the Myeong Commonwealth is undoubtedly one of the last bastions of human civilisation: it is undoubtedly, the Realm of Humaneness and Righteousness (인의지방), the Realm of Propriety and Etiquette (예의지방), and the Realm of Noble Character (군자지국). Myeongeans are committed to leading lives that revolve around a set of rites known as lye (례), whose purpose is to cultivate the moral characters of individuals in accordance with Divine Reason (천리). 

Lye encompasses a wide range of practices, including ceremonies, festivals, and rites of passage such as weddings and funerals. It also includes everyday activities such as greeting others, table manners, and dress codes. The rule of ritual propriety emphasises the importance of performing these practices with sincerity, respect, and adherence to tradition. By doing so, individuals show appropriate respect for their ancestors, their elders, and the natural world, all of which are seen as essential components of a harmonious society. As the premier Confucian micronation that the world has never seen before, the Commonwealth celebrates Five Rites (오례) that were mentioned in the ancient Confucian classic of the Rites of Ju (주례):
Auspicious Rites (길례): These rites are performed to celebrate good fortune. They are often conducted during important life events such as weddings (pictured below), the birth of a child, or the opening of a new business. Auspicious rites typically involve rituals, prayers, and offerings to God to show reverence, and to ancestors to demonstrate that death cannot stop filial piety from being paid (pictured above).

Inauspicious Rites (흉례): In contrast to auspicious rites, inauspicious rites are performed to ward off or mitigate negative energy or harm. They are often practiced during times of illness, accidents, or funerals. Inauspicious rites may include rituals such as cleansing, purification, or offerings to appease spirits and protect against misfortune.
Congratulatory Rites (가례): Congratulatory rites are performed to celebrate achievements or special occasions such as graduations or promotions. They are usually conducted to express congratulations and to wish the person good luck in their future endeavors.
Hosting Rites (빈례): Hosting rites are conducted when welcoming guests or visitors. They involve observing proper etiquette, offering hospitality, and ensuring that guests feel respected and well-cared for. Hosting rites may include rituals such as serving tea, offering food, and providing comfortable accommodations.
Military Rites (군례): Military rites are performed in the context of warfare or military activities. They involve rituals and ceremonies to boost morale, honor fallen soldiers, and seek protection from deities or ancestral spirits. Military rites often include offerings and prayers for victory, strength, and the well-being of soldiers.
These rites together reflect the importance placed on maintaining harmony, promoting auspiciousness, and showing respect for various aspects of life in Confucian culture. In accordance with the Rites of Ju, the Lord Patriarch (the second-highest ranking prelate of The Supreme Council for the Doctrine of the Sages) is the primary authority responsible for the standardisation of these rites.




MYEONGBOK

Proper attire (정의관) is crucial for Confucianism, which strongly emphasises showing respect and modesty towards others by dressing appropriately and modestly in different social contexts. Proper attire helps to signify one's social status and role, allowing for clear distinctions and a harmonious social structure, and is considered a part of the ritualistic aspect of Confucian practices, representing adherence to traditional values and cultural norms. Confucianism emphasises self-cultivation and personal development. Wearing proper attire is seen as a way to cultivate self-discipline and self-respect, as it reflects one's commitment to upholding social norms and presenting oneself in a dignified manner.
The Daemyeong Empire had a significant influence on Joseon's fashion and attire. The exchange of ideas, trade, and diplomatic relations between the realms facilitated the transmission of clothing styles and trends. One of the most significant impacts of Daemyeong attire on Joseon attire was the introduction of Daemyeong-style court dress. The Daemyeong Empire placed great importance on court protocol and etiquette, and the attire worn by officials and nobility reflected this (pictured below). Daemyeong court dress was characterised by long robes with wide sleeves and a mandarin collar, often made of silk and decorated with intricate embroidery. This style was adopted by the Joseon court, particularly during formal ceremonies and events.



Daemyeong attire also influenced Joseon everyday wear. Daemyeong-style jackets and trousers became popular among the Joseon upper class, and women's clothing began to feature wider sleeves and longer skirts. Additionally, the use of silk as a material for clothing became more widespread in Joseon, reflecting the influence of Daemyeong fashion. Against this background, the Daemyeong Kingdom of Joseon evolved the Hanbok (한복), which is characterised by simpler lines, vibrant colors, and natural fabrics like cotton and hemp (pictured above). Koreans no longer wear the Hanbok on a daily basis but only on special occasions. 

The Myeong Commonwealth developed its unique micronational attire: the Myeongbok (명복), which features a mix and match of the attire of the Daemyeong Empire and the Daehan Empire. HM The Emperor and other members of the Imperial Household; HS The Supreme Patriarch and Counselors of the Supreme Council for the Doctrine of the Sages; and peers of the Commonwealth regularly wear Myeongbok in ordinary meetings and events; other members of the Myeong Commonwealth from all walks of life often wear Myeongbok on public holidays and family occasions.




MYEONG ARCHERY

 
Myeongeans favour archery (사) as a sport that goes beyond the physical act of shooting a bow and arrow. It is a means of developing important qualities such as discipline, focus, and self-control, which are essential for individuals of exemplary character. Ancient sages used archery as a metaphor to teach the Way of Humaneness.


According to Sage Confucius, the competition of the man of exemplary character involves ascending to one's position in an archery match with deference and drinking from the ritual cup upon descending. Sage Mencius likened the person who seeks to be humane to an archer who adjusts himself before shooting and takes responsibility for his failure rather than complaining about those who outperform him.

Together with rituals (예), music (악), charioteering (어), calligraphy (서), and mathematics (수), archery is one of the well-established Six Arts (육예) of the Confucian tradition.   The Six Arts aim to cultivate a well-rounded individual who can contribute meaningfully to society. Each art represents a different aspect of personal development. Archery reminds monarchs and officials of their duty to defend their people and the Commonwealth against all threats. As a Confucian micronation, the Myeong Commonwealth proudly practices archery as a sport that reflects its cultural heritage and micronational pride.


MYEONG CUISINE

Myeong cuisine is a delicious combination of the traditional cuisine of the Daemyeong Empire and that of the Daehan Empire. 

Because of the close cultural, political, and economic relationships between the Daemyeong and Joseon, their cuisines shared some similarities in terms of ingredients, cooking techniques, and flavours. One of the most notable similarities is the use of rice as the staple food. Both cuisines feature a wide range of rice-based dishes, including rice cakes, porridges, and noodles. Additionally, both cuisines utilise a wide range of vegetables, fruits, and meats in their dishes. Another significant similarity is the emphasis on the balance of flavours. Both Daemyeong and Joseon cuisines strive for a harmonious balance of sweet, sour, salty, and bitter flavours. Both cuisines also use a range of seasonings and spices such as soy sauce, vinegar, garlic, ginger, and chili peppers to enhance the flavours of their dishes. 

However, there are also some differences between the two cuisines, making a mix and match particularly attractive. For instance, the Joseon cuisine (pictured below) is known for its emphasis on fermentation and preservation techniques, which produce unique flavours and textures. This is not as prominent in Daemyeong cuisine (pictured above), which is known for its emphasis on fresh ingredients and simple cooking techniques. At the end of the day, the cuisines of the Daemyeong Empire and the Daehan Empire share some similarities, but also have unique characteristics that reflect their respective cultural and historical backgrounds.